- Posts tagged Sol Luckman
- Explore Sol Luckman on posterous
Diary of a DNA Potentiator: How 528 Hertz Was Music to My Ears
Preview this empowering text.
Brendan D. Murphy
So many of us have battled—or are currently battling—some form of nagging illness or physical dysfunction that it staggers the mind. There may not be any magical, cure-all, “quick fix” solution—but then again, we may be closer than we think.
As someone with myriad physical injuries sustained over the years through athletic pursuits or just outright clumsiness (or bad luck)—as well as suffering from food allergies—I’ve longed for a natural, non-surgical and non-pharmaceutical solution to my ailments.
On a more transpersonal level, as an author and researcher, I’ve been obsessed with the notion of finding powerful and permanent solutions to such problems so that I could disseminate them as widely as possible for the benefit of others.
That’s why I’m going to tell you about my experience thus far with DNA activation, or more specifically, stage one of Sol Luckman’s Regenetics Method: DNA Potentiation. (Sol is author of CONSCIOUS HEALING and POTENTIATE YOUR DNA.)
Without getting too much into the nitty-gritty of the procedure, DNA Potentiation is a sound-based, “shamanic” healing technique that utilizes a unique property of a certain portion of human DNA: the 97% or so of our DNA which was dubbed decades ago “junk” DNA—because scientists at the time had no idea what its purpose was.
In fact, some “junk” DNA—in the form of about one million or more proteins—is incredibly valuable to us because of its capacity to literally shift locations on the DNA strand and re-code sections of the genome. Hence, this “junk” (discovered in 1983 by Nobel laureate Barbara McClintock) is referred to informally as “jumping DNA” (or transposons, more technically).
For a DNA Potentiation, you require (aside from the full set of instructions), a 528-Hertz tuning fork and something to strike it with (a hockey puck, for example). A fairly complex chanting procedure (involving all of the vowel sounds) is then carried out while you sound the tuning fork at specific intervals. Overall, the session lasts roughly twenty minutes.
So what does a 528-Hertz tuning fork and chanting have to do with jumping DNA/transposons? In short, it appears that the procedure makes your “junk” jump!
You see, our DNA is “tuned” to the Solfeggio scale—and 528 Hertz is one of the Solfeggio frequencies. As such, the resonance between our “jumping DNA” and the 528-Hertz tone means that a shift or migration of transposons can be initiated with the correct procedure.
I get into a lot more detail with this in my book THE GRAND ILLUSION: A SYNTHESIS OF SCIENCE AND SPIRITUALITY. If you want to know the actual Potentiation procedure in full detail, you’ll have to check out Sol’s fascinating book POTENTIATE YOUR DNA.
The whole point of this endeavour—for me at least—was to activate healing mechanisms in my DNA that were not functioning properly. First and foremost on my mind was the thought that this procedure might trigger some healing in my damaged rotator cuffs.
I damaged the connective tissue in both shoulder joints when I was sixteen and they never healed properly. I had long since resigned myself to a lifetime of shoulder pain, weakness, and stiffness—I couldn’t even lie on my side in a normal manner to sleep at night because of the slight pressure on my shoulders and the resulting pain!
My hope was to instigate some major healing in my shoulders through DNA Potentiation, and I wasn’t disappointed. On the 12th of September last year (2011), two days before my birthday, I performed my own Potentiation.
It left me with a subtle “buzz” or tingling in my shoulders—and virtually overnight I noticed my shoulder joints started feeling better. I actually kept a “Post-Potentiation Log” to record any changes I noticed over the subsequent weeks. Here are the first two entries:
12th September: Potentiation performed. Slept well. Shoulder not as sore to sleep on?
13th September: Significant reduction in pain [in] left shoulder. Hasn’t felt this good in years. Hardly any discomfort swinging [arms] across chest where before [there] was sharp pain. Slept better.
As you can see, there was an immediate improvement in the state of my shoulders. A little over a month later, my entry read:
20–27th November: Noticed in this time frame that right knee pain virtually gone. Had persisted for 7–9 months? Can sleep with virtually no shoulder discomfort either side.
In addition to my shoulder problems, I had been experiencing some anomalous and troubling knee pain in my right knee on the outer periphery of the joint for some months, which I reasoned may have been some kind of cartilage damage (all I did was crouch down one day and crack!—new injury). At some point post-Potentiation the pain simply disappeared.
The above was my last entry to date. I experienced no other major and obvious changes that I felt were noteworthy, but these alone were truly miraculous. By this stage my shoulders were feeling infinitely better than they had for twelve years, and they now give me virtually no pain or discomfort.
I was able to start lifting weights over my head again without pain or weakness—a monumental improvement (although I stopped lifting to help facilitate my shoulders’ recovery—never mind the fact that laboring during the day, combined with the stress of guitar playing on my left wrist, made for a brutal combination).
At this point post-Potentiation, I’m looking forward to the next stage in the process—Articulation—which you can experience no sooner than five months after Potentiation.
I should note that I’ve also noticed what seems to be a subtle improvement in my food sensitivities. I still have to avoid any significant amounts of dairy, but my tolerance for wheat seems to have been enhanced—though to be fair, this may well be partly (or entirely) due to my own interventions (including some EFT and some attitude assessments regarding certain foods). I’m not sure, just “throwing it out there.”
All in all it is quite obvious that Luckman and his partner Leigh have devised a truly revolutionary healing system—one that effects permanent change at the most fundamental biological level.
This healing system emerged from a horrific rollercoaster ride triggered by a catastrophic hepatitis and yellow-fever vaccine reaction that compelled Luckman to seek remedies to his deteriorating health for a grueling ten years. Truly, he embarked upon his own dark night of the soul—and what a long night it was! It was obvious reading POTENTIATE YOUR DNA that Luckman’s DNA was probably damaged, and no one knew how to repair it.
Just how bad did things get for him, physically? In his own words, “I developed devastating food and environmental allergies, extreme chronic fatigue, bizarre muscle twitching, facial neuralgia, awful bloating, terrible insomnia, horrific migraines, and twenty-odd other mysterious symptoms that baffled every doctor and therapist I visited—and I visited many.”
Eventually, Luckman despaired not only at the impermanent symptom relief offered by various healing modalities, such as allergy clearing and Chi Gong (which did, however, play an important role in his eventual recovery), but also at the futile input of allopathic doctors who could offer no insight into the reason for his condition—let alone real solutions.
Luckman’s story is a fascinating one, and I’m not going to attempt telling it all here. Needless to say, he eventually emerged transformed from his arduous dark night—which involved massive research and experimentation—with the Regenetics healing system.
Not only did this work eliminate his debilitating food allergies (among other wonderful effects), returning him to full strength, but it has done similar things for thousands of other people who did not know where else to turn for relief.
If it wasn’t for Luckman’s vaccine-induced downward spiral dating back to 1995, we wouldn’t have DNA Potentiation and the Regenetics Method—and I (and my rotator cuffs and right knee) will be eternally grateful that we do.
[Brendan D. Murphy is a contributing writer for MINDSCAPE magazine (UK) and VERITAS magazine (Australia). Based in Perth, Western Australia, Brendan is also author of the forthcoming science-meets-metaphysics nonfiction work in two volumes, THE GRAND ILLUSION: A SYNTHESIS OF SCIENCE AND SPIRITUALITY. This groundbreaking research project, to be published starting in 2012, is designed to blow minds wide open and transform consciousness. Visit THE GRAND ILLUSION fan page on Facebook for more articles, information, and free book excerpts: www.facebook.com/The.Grand.Illusion.Books.]
DISCLAIMER: The Developers and all Facilitators of the Regenetics Method offer DNA activation as educators and ordained ministers, not medical doctors, and do not purport to diagnose, prevent or treat illness of any kind. Regenetics Method information and sessions are offered, and accepted, as exercises of freedom of speech and religion. The Developers and Facilitators of the Regenetics Method make no recommendations, claims, promises or guarantees relative to specific health challenges. You are solely responsible for your own medical treatment and care.
Manifesto for a New Fiction
SOL LUCKMAN
The problem with much contemporary American—some would say, world—fiction is twofold. If we understand many commercial novels these days to fall somewhere on the spectrum between literary and visionary, with much in the middle that scarcely deserves mentioning, it’s hard to ignore the fact we’re living a classic Catch-22. Literary novels are just not that visionary, which is another way of saying they’re often boring and unimaginative, slaves to a dogged realism—whereas visionary novels are, typically, none too literary, which is another way of saying often poorly, if not execrably, written, cobbled together with their narrative machinery clanking and clunking.
Historically, the exceptions confirm the rule. Tolkien’s THE HOBBIT and THE LORD OF THE RINGS are indeed consummately both literary and visionary. These classics have also been imitated so many times—unsuccessfully, even laughably—it beggars belief. Here and there a contemporary novel pops up on the radar in this magical Twilight Zone where craft and invention seem indissolubly wedded—Robert Coover’s THE PUBLIC BURNING comes to mind—but those of us literary-visionary hybrids who scour today’s fictional landscape in search of inspiration usually come up empty.
The fly in the ointment is that old bugger, realism. Nearly two centuries after Stendhal’s novel-as-mirror traveled the tedious highway of fiction, and despite the influences of modernism and postmodernism, the majority of today’s novel readers, like Coca-Cola addicts, still want the Real Thing. I’m speaking metaphorically, of course. The beauty of a metaphor is it doesn’t have to be real to ring true. The instant a metaphor becomes real it ceases to be a metaphor, which suggests a disconnect between truth and what’s commonly referred to as reality. This is a pivotal point—that the real world probably isn’t what you believe it is, or rather, that it’s precisely what you believe it is—which, if you still don’t get it, I can only trust someday you will.
I don’t mean any of this theoretically. Theory does everything in its power to remove the living soul of literature, tear its heart out, make of the study of Art a hard-edged Science. Never mind that Art is as far removed from measurement as Science is from love. As writers confronting theory, it’s incumbent on us not to let our prose dry up in that desert, but to allow it to become a desert rose, our prose, flourishing in the heat and sands of what passes for knowledge.
We must, then, for them to be of any worth whatsoever, live our theories practically. For writers this means, inevitably, doing the deed—not just having the idea but putting it on paper, writing down not just the bones of our dreams but their flesh and blood as well. Literature, at its best, and despite the recent attempts of critics, can never be murdered and dissected, as it’s an immortal yet organic thing, drawing on the richness and complexity of Experience yet somehow managing to transcend its mundane origins like an alchemist transmuting base metals. The current twin foci on theory and realism conspire to dry up the spirit and wither the soul, blind the eye and deafen the ear, broil the brain and microwave the heart—and perhaps most disturbingly for us radical wordsmiths who still haven’t sold out to the Man, brown the nose and pucker the rectum.
If we’re to avoid becoming fiction robots in a corporate world, we must stop adding to our educational excesses, eschew the assembly line of MFAs and bottom-line publishing houses, commit ourselves to a way of writing that engages in a valiant struggle to push the limits of plot and language so as to awaken, not anesthetize, the reader. Anything rather than live in the dead world of those cold people, the Intellectuals. Anything rather than subject ourselves to the fusty chain of academic command, the savage petty politics where the arguments are so heated because the stakes, as someone once astutely quipped, are so small.
We must lay our ears back and push on into the literary fourth dimension, realm of feminine chaos and infinite possibility, forego regionalism and play with farce—and, especially, always appreciate the bizarre. Love for the bizarre is, itself, transformational. When you welcome the bizarre into the fiction of your life, anything and anybody can be transformed from dogsh*t into gold.
Let’s begin a new literary movement. I don’t care what we call it. Let’s start writing novels for people who don't like novels. Because these days who can blame them? You can please all the people some of the time, and some of the people all the time, but you can’t please all the people all the time. So let’s at least please ourselves. Years from now when verisimilitude is finally understood as a terribly limiting proposition, let our daringly experimental books (often self-published, often ignored by the mainstream) be remembered as the Rubicon fiction crossed on its journey into multidimensionality. There can be no turning back, for readers or writers, after our historical strokes of madcap genius. Or so my story goes.
Once in every generation, if we’re lucky, a character shows up who can teach us about reality because he’s more real than ourselves. Melville called such a character a “Drummond light” after the type of light once used in theaters that was capable of providing illumination in many directions. May one of us create such a character. Better yet, let’s buck tradition and create a string of Drummond lights, each a brilliant facet of the Hope Diamond that is our new fiction. Let’s turn away, once and for all, from old Enlightenment tropes toward a new narrative of Enwritenment. Together let’s write light.
In so doing, maybe, over time, our inherited and mostly dysfunctional posterity urge based on ego will gradually give way to something more stable, healthier, that might be called simply the urge to be. To have been versus to be. Product versus process. In the face of a literature of monoliths and petroglyphs, we have the choice to opt for incompletion. May our new writing shine with the protean power of now. May imagination become the new faith.
Copyright © 2012 by Sol Luckman. All Rights Reserved.
[Sol Luckman is a prolific visual artist and critically acclaimed author of fiction and nonfiction. His numerous books include the international bestselling CONSCIOUS HEALING: BOOK ONE ON THE REGENETICS METHOD and POTENTIATE YOUR DNA: A PRACTICAL GUIDE TO HEALING & TRANSFORMATION WITH THE REGENETICS METHOD. Sol is also author of the BEGINNER’S LUKE Series of comic novels that hilariously foreground the role of imagination in creating our individual and collective reality. You can learn more about Sol’s nonfiction, fiction and art at www.CrowRising.com.]
Snowy Canyon
Sol Luckman
First there was a canyon.
Then there was snow.
Copyright © 2012 by Sol Luckman. All Rights Reserved.
[Sol Luckman is a prolific visual artist and critically acclaimed author of fiction and nonfiction. His numerous books include the international bestselling CONSCIOUS HEALING: BOOK ONE ON THE REGENETICS METHOD and POTENTIATE YOUR DNA: A PRACTICAL GUIDE TO HEALING & TRANSFORMATION WITH THE REGENETICS METHOD. Sol is also author of the BEGINNER’S LUKE Series of seriocomic novels that hilariously foreground the role of imagination in creating our individual and collective reality. You can learn more about Sol’s nonfiction, fiction and art at www.CrowRising.com.]
Share the Adventure of an Imaginary Lifetime--FREE!
Who would you be if you could be anyone? go anywhere? do anything? You can! Luke Soloman will show you how.
While titillating in the tradition of Henry Miller, Jack Kerouac and Tom Robbins, Sol Luckman’s critically acclaimed visionary novel BEGINNER’S LUKE equally impresses as a work of literary art. Luke’s signature obsessions with self, sex, satire and slapdash highlight a serious, and life-changing, point: consciousness creates. The point is there is a point to living in the imagination—for only through it can we reinvent ourselves and our world. Download your FREE copy of BEGINNER'S LUKE at ...http://beginnersluke.com/beginners-luke REVIEWS “BEGINNER’S LUKE is a welcome start to what promises to be a mind-bending journey through the mind of the ultimate iconoclast.” —Apex Reviews “A modern-day ALICE IN WONDERLAND, where anything can come alive when you start with a blank page … [Luckman] shows the reader that as individuals, we, too, have choices and potentials. There are no boundaries or rules to limit us.” —Reader Views “BEGINNER’S LUKE is a truly an experience that cannot adequately be described except to say that it is extraordinary and grabs one from the first word of the first chapter and never lets one go. Definitely a spiritual journey that you do not want to put down.” —Niama Williams, Ph.D. “Sol Luckman’s writing makes BEGINNER’S LUKE a rewarding romp from start to finish. This is the sort of book that could easily have self-destructed in a lesser author’s hands, but Luckman makes it sing.” —Burt Kempner, Sarasota, Florida “The self-seeking Adventure of Luke, a man groping his way around the confusingly metaphorical ‘New Age,’ is, in a way, the story of every enlightened soul finding their way around these confounding metaphysical times.” —Yael Lewis, Tel Aviv, Israel “BEGINNER’S LUKE is an inspirational and darkly fun novel that is a ‘cannot put down’ book and definite movie material. I loved every minute of it.” —Robynn Bridgett, Cape Town, South Africa “Luke’s story has a mighty moral: we’re making it all up! Our imagination is both seed and soil, water and sun. It’s how we cultivate our circumstances and fashion our future. Luke takes us on a tour of time and quaintly confuses the quantity and quality of something we’ve all come to take for granted, the timeline that creates cause and effect.” —Roseann Gabrys, Wyandotte, Michigan “Some theories say we only use a small portion of our minds, that we have come as far (or as short) as we have while utilizing a relatively tiny amount of our intellect. If this is true, what could possibly be a catalyst to inspire further use of our untapped potential? One possible avenue for further expansion is the melding of what we perceive to be ‘real’ or ‘truthful’ and what we perceive to be ‘fantasy’ or ‘fallacy.’ BEGINNER’S LUKE weaves these two poles together to help the reader see the cage of conformity that we all, to some degree, dwell in.” —M. E. Bradley, Grand Rapids, Michigan “Provocatively rich with vivid characters and descriptive emotion, BEGINNER’S LUKE is a flavorful page-turner that not only satisfies the hunger for poetic intellectual stimulation, but also introspective humor.” —Michelle Lawrence, Tempe, Arizona
